Post by cam83 on Apr 1, 2004 13:40:04 GMT -5
Written by Cameron Longo and Rick Henry
WE'VE ONLY JUST BEGUN-
This song has the unique distinction of being a hit single culled from a commercial for the Crocker Bank. The story goes that the songwriters at A&M Records, Roger Nichols and Paul Williams were approached by Crocker Bank to write a song for their commercial. The theme: You've got a long way to go and we'd like to help you get there. And so the song We've Only Just Begun was born. Or part of it, anyway. Then Richard Carpenter, heard the song on the television commercial one night, and was enraptured by it, drawn to its potential. This song was to be their follow up to their monstrous selling hit "(They Long To Be) Close To You." Upon being released, We've Only Just Begun soared to the Number Two position, and quickly became a gold single(their second), selling over a million copies. Also, this single hit Number One on the Adult Contemporary Charts for 7 amazing weeks. It became a new "contemporary classic for weddings" in the 70's and onwards. The song had a warm feeling of gentle optimism. In sheet music alone, sales of We've Only Just Begun, hit the over 3 million mark. A sign that the Carpenters were not a flash in the pan. This group had style, talent, and a new sound. All ingredients for success. "We've Only Just Begun" is now known as their signature song".
LOVE IS SURRENDER-
This song was written by Ralph Carmichael, a gospel songwriter, which explains this song's theme of love. This song, was a favorite at the Carpenters' concerts. It's an energetic, fun and outgoing track. The neat thing is that this song shares lead vocals with Karen and Richard. Although, in concert, Karen would ultimately sing the lead vocals for this song. This song also appeared on CBS TV Movie, "The Karen Carpenter Story."
MAYBE IT'S YOU-
This is one of the most beautiful songs the Carpenters ever did. Karen's vocals are so much like honey. She effortlessly sings from note to note, exuding confidence as she goes on. Another gorgeous Richard Carpenter-John Bettis penned composition. Richard did an outstanding job in constructing a vocal arrangement in which we hear Karen harmonizing with herself. A rare treat. Also a hint of things to come. A lush song. A gem.
REASON TO BELIEVE-
Tim Hardin wrote this delightful tune, and Carpenters gave it a nice country feel. Listening to this makes you wish Karen and Richard had done a complete album of country standards. With a voice like that, "she could have sung anything" (as UK singer Petula Clark graciously said). This was apparently one of Karen's favorite songs, as they had been singing this song from the mid 1960's and onwards. Her vocal reading is very pleasing and also very stylish.
HELP-
This was the second Lennon-McCartney song that the Carpenters had recorded and released. The first was Ticket To Ride for the 1969 OFFERING album. From the very beginning Karen and Richard have sited the Beatles as a major influence and claim to be huge Beatles fans. By this time, in 1970, they had recorded several Beatles songs (including Goodnight, Hey Jude, Can't Buy Me Love, Nowhere Man and several others). Richard Carpenter was a genius at hearing the original in his head, and then with some chord changes, minor tweaking, he was able to change the song completely. This song is one of those, and he is very adept at it, and gives it his Carpenter stamp to it.
(THEY LONG TO BE) CLOSE TO YOU-
This song was written by the song writing team of Burt Bacharach and Hal David, who were the writers of many hit singles in the 1960's and onwards. This song had been recorded by Dusty Springfield, Dionne Warwick, and Richard Chamberlain, but went nowher on the charts. Herb Alpert approached the Carpenters, and wanted them to record this song for a medley of Bacharach songs they would be doing for a charity benefit. Richard felt it wasn't right for the medley, so he decided not to record until Herb got wind of it, and urged them to record it. "He wanted us to record it. He wanted us to really record it!" as Richard Carpenter reminisces. So they went into the studio, and recorded it several times. On the third try, it was a keeper. Richard thought it would either go Number One or be a flop. No in between. The single soared to Number One for 4 weeks, and sold over a million copies, becoming their first gold record. It also hit the top of the Adult Contemporary charts. This song is a magical song, reminiscent of a summer day, falling in love, moondust in the air. This was the song that put the Carpenters on the map. This song won the Carpenters Grammy awards for "Best Contemporary Vocal Performance by a Duo-"Close To You" and "Best New Artist." The Carpenters had arrived by summer of 1970, bringing in their new brand of classy pop music, changing the musical climate at that time.
BABY IT'S YOU-
Mack David, Burt Bacharach and Barney Williams are the songwriters for this tune, which was a hit for the New Jersey female group The Shirelles. A nice piano intro, followed by Karen's delightful quiet vocal. As the song progresses, she seems to gain more insight, growing stronger in the progress. The Carpenters overdubs are a nice compliment to the overall song. A gorgeous song sung by an angel.
I'LL NEVER FALL IN LOVE AGAIN-
This song is another Burt Bacharach and Hal David song. This version by the duo of Richard and Karen opens with a 39 voice chord overdub of their 2 voices. Impressive! The immense talent is just enormous. Karen's vocals are heaven sent on this song. She also duets with herself on this song, and she never sounded lovelier. All the vocal overdubs sound wonderful and add to the song. The instruments on this album also add, and don't take away from the vocals, but instead, enhance. You can tell that the choral sound that Richard and Karen were involved with at Long Beach shows up in this song.
CRESCENT NOON-
This is a song written by John Bettis and Richard Carpenter. Origionally this song had been performed with choir and sung by Karen Carpenter at a Long Beach function. Both showcase Karen's voice, and her growing power as a vocalist, and a lead vocalist at that. This song has some dark images of the changing seasons, and touches a chord in Karen's voice, and her emotions in this song are revealed. Again, another choral song. This song is another gem, peaceful, with tinges of despair, beauty with pain.
MR. GUDER-
Another Richard Carpenter-John Bettis tune. The background to this song is that Richard and John worked at the Disneyland, during the summer of 1967. Their boss was Vic Guder, and was strict in his rules as to proper etiquette and rules that were meant to be followed. Richard and John scoffed at his rules and him belonging to the "establishment" so they would sneak in some rock-pop tunes into the enforced tunes they were to play. The last straw was Richard and John combing their hair in the park, upon which they got fired for. So in anger, they wrote this tune. It became a concert favorite. The ending complex harmonies were flawless in concert. This tune is a favorite of mine.
I KEPT ON LOVING YOU-
Another Roger Nichols and Paul Williams tune, and this song Richard sings the lead vocals. A nice tune. Pleasant. This tune was used as the b-side for the single release of Close To You.
ANOTHER SONG-
Richard Carpenter-John Bettis partnered on this tune. The beginning sounds like a lush Carpenters tune, soft but nice. Then it changes, with drums, bass guitar and Karen's yearning, but louder vocal. Harmonies erupt. This showcases Karen's adeptness at drumming. Her drum stylings are very much in tune with the jazz masters such as what you'd hear on an early Grover Washington Jr album. Her vocals are powerful, proving that Karen was more than just a singer of tender ballads. As always, in "Another Song", those famous Carpenters harmonies are in full force, adding strength to the overall hypnotic effect of the song. Then the choir-like vocals fade and then the instrumental portion of the song appears. Very delightful. This shows that the Carpenters shouldn't be classified in the "easy listening" category, as this song has punch. It has class, very much in line with the jazz-fusion stylings which were becoming popular in the early 70's. A wonderful ending to this song!